1. Home
  2. Reference
  3. Full mix

Instrument EQ

Full mix frequencies
you can solo.

Mix problems are piles, not single instruments. 250 Hz is every rhythm part at once. 3 kHz is every attack at once.

  • Boost, cut or solo
  • Real audio, not a chart
  • Starting points, not rules

Play Full mix frequencies

Mode
Listen on

Pick a band to boost it on the loop. Cut and Solo use the same frequency.

Full mix

Where a full mix usually needs help

Mix problems are piles, not single instruments. 250 Hz is every rhythm part at once. 3 kHz is every attack at once.

Solo the band on this loop and ask which instrument should own it. Then cut the others, instead of boosting the winner further.

FrequencyJobWhat you are hearing
60 HzSub pileKick plus bass. One of them should give way.
250 HzMud pileGuitars, piano, snare body, vocal low end.
800 HzHonk pileThe 'small speaker' band. Harsh or hollow lives here.
3000 HzAttack pileVocal, snare crack, guitar bite, hat tick.
10000 HzAir pileCymbals, vocal air, master brightness. Fatigue lives here.

These are starting points for this instrument, not a preset. The numbers differ from the cymbals page because the problems differ. Playback is a peaking filter around +9 dB or −10 dB, or a solo, as described in the methodology.

Other instruments

StudioEars app icon
StudioEarsEar training for iPhone & iPad

Hear it in a chart. Train it in the app.

The frequency trainer uses drums, bass, guitars and mixes so the bands on this page show up in daily practice.

Download on theApp Store

Free to start. 5 free training units every day plus built-in studio tools.

  • EQ & compressionDaily drills on drums, bass, guitars and full mixes.
  • Intervals & chordsPiano training that uses the same note names as these pages.
  • Studio toolsMetronome, tone generator and tap tempo live in the app too.

FAQ

Full mix EQ questions

What frequency is most important on a full mix?

Start with the fundamental or the mud, not the air. On this page that means reading the first rows of the table and soloing them before you touch a high shelf.

Will these exact numbers fit my recording?

No. Microphones, tunings and arrangements move the resonances. Use the labels to know what you are hunting, then sweep a few semitones either side.

How loud should I listen?

Keep soloed bands at a conversation level. These pages can generate steady tones and noise, which fatigue your ears faster than music. If anything rings or feels uncomfortable, stop and turn the volume down.